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Hippolytus (Ancient Greek: Ἱππόλυτος, Hippolytos) is an Ancient Greek tragedy by Euripides, based on the myth of Hippolytus, son of Theseus.The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy.
The story of the Hippolytus–Phaedra relationship is derived from one of several ancient Greek myths revolving around the archetypal Athenian hero, Theseus. The Greek playwright Euripides wrote two versions of the tragedy, the lost Hippolytus Veiled and the extant Hippolytus (428 B.C.E.). [3]
Euripides [a] (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most.
Euripides (c. 480 – c. 406 BC) is one of the authors of classical Greece who took a particular interest in the condition of women within the Greek world. In a predominantly patriarchal society, he undertook, through his works, to explore and sometimes challenge the injustices faced by women and certain social or moral norms concerning them.
The Nurse tries skillfully to change the mind of Hippolytus, to make him consent to the delights of love and comforts of civilian life, but Hippolyte does not want to change his mind, and far prefers his inclinations to country life (2). Phaedra and her nurse use all kinds of tricks to attack the young man's modesty, but they can overcome it.
The Death of Hippolytus, by Sir Lawrence Alma-Tadema (1836–1912). In Greek mythology, Hippolytus (Ancient Greek: Ἱππόλυτος, romanized: Hippolutos, lit. 'unleasher of horses'; / h ɪ ˈ p ɒ l ɪ t ə s /) [1] is the son of Theseus and an Amazon, either Hippolyta or Antiope.
Like Mourning Becomes Electra, Desire Under the Elms signifies an attempt by O'Neill to adapt plot elements and themes of Greek tragedy to a rural New England setting. It was inspired by the myth of Phaedra, Hippolytus, and Theseus. A film version was produced in 1958, and there is an operatic setting by Edward Thomas.
With Phèdre, Racine chose once more a subject from Greek mythology, already treated by Greek and Roman tragic poets, notably by Euripides in Hippolytus and Seneca in Phaedra. As a result of an intrigue by the Duchess of Bouillon and other friends of the aging Pierre Corneille , the play was not a success at its première on 1 January 1677 at ...