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The Symphony No. 5 in C minor, Op. 67, also known as the Fate Symphony (German: Schicksalssinfonie), is a symphony composed by Ludwig van Beethoven between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, [1] and it is widely considered one of the cornerstones of western music.
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
During the Classical era, C minor was used infrequently and often for works of a particularly turbulent cast. [citation needed] Mozart, for instance, wrote only very few works in this key, but they are among his most dramatic ones (the twenty-fourth piano concerto, the fourteenth piano sonata, the Masonic Funeral Music, the Adagio and Fugue in C minor and the Great Mass in C minor, for instance).
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The key of C minor was, like most other minor keys, associated with the literary Sturm und Drang movement during the Classical period. But ever since Ludwig van Beethoven's famous Symphony No. 5, Op. 67, of 1808, C minor imparts a symphony in the key a character of heroic struggle.
Franz Liszt in 1884 – twenty years after his completion of the symphony transcriptions. Beethoven Symphonies (French: Symphonies de Beethoven), S.464, are a set of nine transcriptions for solo piano by Franz Liszt of Ludwig van Beethoven's symphonies 1–9. They are among the most technically demanding piano music ever written.
Ferdinand Ries (baptised 28 November 1784 – 13 January 1838) was a German composer. Ries was a friend, pupil and secretary of Ludwig van Beethoven.He composed eight symphonies, a violin concerto, nine piano concertos (the first concerto is not published), three operas, and numerous other works, including 26 string quartets.
This key used in other composition of Beethoven's such as Piano Sonata No. 8 in C minor, Op. 13 "Sonata Pathetique" and Symphony No. 5 in C Minor, Op. 67. [2] These pieces are similar in their level of intensity and stormy mood, a character which seems to be a partial product of Beethoven's use of C minor in compositions.
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