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In 1968, Labino's book Visual Art in Glass [15] became the first book to be written about the studio glass movement. It was followed in 1971 by Glassblowing: A Search for Form, by Harvey K. Littleton. [16] Through the university's glass program, Littleton taught many who became prominent glass artists, and who, in turn, spread the word about ...
A stage in the manufacture of a Bristol blue glass ship's decanter.The blowpipe is being held in the glassblower's left hand. The glass is glowing yellow. As a novel glass forming technique created in the middle of the 1st century BC, glassblowing exploited a working property of glass that was previously unknown to glassworkers; inflation, which is the expansion of a molten blob of glass by ...
Pilchuck Glass School is an international center for glass art education. The school was founded in 1971 by Dale Chihuly, Ruth Tamura, Anne Gould Hauberg (1917-2016), and John H. Hauberg (1916-2002). [1]
Also in 2006 an enclosed garden and glass-blowing studio were added to the complex. The glass studio presents glass working demonstrations to the public and seminars for students of glass. Lynggaard (1930-2011), originally a ceramicist, had lectured in Sheridan College in Oakville, Ontario, where he encountered the studio glass movement.
The Hauser Art Glass Company, another long-standing American stained glass studio, was founded in 1946 by James E. Hauser in Winona, Minnesota. It was originally opened as a repair and restoration studio, focused on serving small, remote churches, after Hauser recognized an opportunity to aid many American churches whose stained glass windows ...
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However, in Local No. 106, Glass Bottle Blowers Association, AFL–CIO (Owens-Illinois, Inc.) and Local No. 245, Glass Bottle Blowers Association, AFL–CIO (Owens-Illinois, Inc.) 210 NLRB 943 (1974), the National Labor Relations Board ruled that gender-segregated locals violated the right of workers to elect representatives of their own ...
After studying glassblowing in England, he began his artistic career by blowing art glass in New Brunswick in the early 1970s. [4] The Demaine Studio, located in Miramichi Bay and later at Opus Village in Mactaquac, was the first one-man glass studio in Canada, [5] part of the international studio glass movement.