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The debut Art of Noise EP, Into Battle with the Art of Noise, appeared in September 1983 on Horn's fledgling ZTT label. [3] Many of the samples originally used on 90125 reappeared on the EP, which immediately scored a hit in the urban and alternative dance charts in the US with the highly percussive, cut-up instrumental track "Beat Box", a favourite among body-poppers.
"Paranoimia" is a song by the English synth-pop group Art of Noise, released in April 1986 from their second studio album, In Visible Silence (1986). A better-known version was released as a single, featuring television character Max Headroom on vocals. This version was first included on the 1986 album Re-Works of Art of Noise.
"Close (to the Edit)" is a single by the English avant-garde synth-pop group Art of Noise, released in 1984 by ZTT Records. The song appeared on the group's 1984 album Who's Afraid of the Art of Noise? and different versions were issued on various other formats in October of that year.
"Moments in Love" is a song by the British avant-garde synth-pop group Art of Noise. It was released on the group's debut EP, Into Battle with the Art of Noise, in September 1983.
Beat Box" is a song by English avant-garde synth-pop group Art of Noise. Originally appearing as the second track on the 12" EP Into Battle with the Art of Noise (1983), it was released as the group's first single in December 1983.
The Seduction of Claude Debussy is the fifth and final studio album by Art of Noise, released in June 1999 in the United Kingdom and the United States, and December 1999 in Japan. It features a line-up of Trevor Horn , Anne Dudley , Paul Morley and Lol Creme , along with other appearances from John Hurt , soprano Sally Bradshaw , Rakim , and ...
The 1987 version by The Art of Noise was an international hit, and won the 1987 Grammy Award for Best Rock Instrumental Performance. [7] It was used as the theme music for the 1987 film version of Dragnet based on the TV show.
Art of Noise released a version of the song featuring Eddy in 1986, which reached number two on the US dance chart, number eight in the UK, number 14 in Canada, [15] and number 50 on the Billboard Hot 100. It was featured on their 1986 album In Visible Silence, and was awarded a Grammy for Best Rock Instrumental Performance. [16]