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Beowulf is an epic poem in Old English, telling the story of its eponymous pagan hero.He becomes King of the Geats after ridding Heorot, the hall of the Danish king Hrothgar, of the monster Grendel, [a] who was ravaging the land; he dies saving his people from a dragon.
Beowulf (/ ˈ b eɪ ə w ʊ l f /; [1] Old English: Bēowulf [ˈbeːowuɫf]) is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature.
Skjǫldr appears in the prologue of Beowulf, where he is referred to as Scyld Scefing, implying he is a descendant or son of a Scef (‘Sheaf’, usually identified with Sceafa), or, literally, 'of the sheaf'. According to Beowulf he was found in a boat as a child, possibly an orphan, but grew on to become a powerful warrior and king:
The next day, Beowulf was lauded and a skald sang and compared Beowulf with the hero Sigmund. However, during the following night Grendel's mother arrived to avenge her son's death and collect weregild. As Beowulf slept in a different building he could not stop her. He resolved to descend into the bog in order to kill her.
Ælfhere – a kinsman of Wiglaf and Beowulf. Æschere – Hroðgar's closest counselor and comrade, killed by Grendel's mother. Banstan – the father of Breca. Beow or Beowulf – an early Danish king and the son of Scyld, but not the same character as the hero of the poem; Beowulf – son of Ecgtheow, and the eponymous hero of the Anglo ...
Tolkien's Beowulf poet was a version of himself, and his authorial persona in creating [The Lord of the Rings] was a version of that Beowulf poet. [37] The historian Ronald Hutton writes that in depicting a pagan Middle-earth, the Christian Tolkien was setting up an interesting relationship between his own religion and his invented world.
Job's dragon would have been accessible to the author of Beowulf, as a Christian symbol of evil, the "great monstrous adversary of God, man and beast alike." [13] A study of German and Norse texts reveals three typical narratives for the dragonslayer: a fight for the treasure, a battle to save the slayer's people, or a fight to free a woman. [14]
A scene from one of the Merseburg Incantations: gods Wodan and Balder stand before the goddesses Sunna, Sinthgunt, Volla, and Friia (Emil Doepler, 1905). In Germanic paganism, the indigenous religion of the ancient Germanic peoples who inhabit Germanic Europe, there were a number of different gods and goddesses.