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Uses of figurative language, or figures of speech, can take multiple forms, such as simile, metaphor, hyperbole, and many others. [10] Merriam-Webster's Encyclopedia of Literature says that figurative language can be classified in five categories: resemblance or relationship, emphasis or understatement, figures of sound, verbal games, and errors.
The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
La Mano (The Hand) is a sculpture in Punta del Este by Chilean artist Mario Irarrázabal. [3] It depicts five human fingers partially emerging from sand and is located on Parada 1 at Brava Beach [2] in Punta del Este, a popular tourist town in Uruguay.
Nueva Figuración (translated New Figuration or Neofiguration) was an artistic movement in Spain and Latin America, specifically Argentina, Mexico, and Venezuela, that embraced a new form of figurative art in response to both abstraction and traditional forms of representation.
Broadway Boogie Woogie is a painting by Piet Mondrian completed in 1943, after he had moved to New York in 1940. Compared to his earlier work, the canvas is divided into many more squares.
Irene graduated in Fine Arts from the Complutense University of Madrid in 2006. She has taught painting classes as a tutor, including in a course at Casa de Vacas in Madrid's Retiro Park in 2017. [1]
Lisa Yuskavage (/ j ə ˈ s k æ v ɪ dʒ / yə-SKAV-ij; [2] born 1962) is an American artist who lives and works in New York City. She is known for her figure paintings that challenge conventional understandings of the genre. [3]
"Zdravljica", the poem by the Slovene poet France Prešeren, is a carmen figuratum in which each stanza has the shape of a wine cup.. Carmen figuratum (plural: carmina figurata) is a poem that has a certain shape or pattern formed either by all the words it contains or just by certain ones therein. [1]