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Thus, a symbol denotes by virtue of its interpretant. Its sign-action (semiosis) is ruled by habit, a more or less systematic set of associations that ensures its interpretation. For Peirce, every symbol is general, and that which we call an actual individual symbol (e.g., on the page) is called by Peirce a replica or instance of the symbol. [45]
Jacobi's first publication was an outline of Jung's psychology in its classical form, expressing his ideas clearly and simply, [5] an outline which was to be translated into fifteen languages and go through many successful editions. [6] Jung himself would call her writings "a very good presentation of my concepts". [7]
Freud defined cathexis as an allocation of libido, pointing out for example how dream thoughts were charged with different amounts of affect. [5] A cathexis or allocation of emotional charge might be positive or negative, leading some of his followers to speak of a cathexis of mortido as well. [6]
The colour wheel theory of love is an idea created by the Canadian psychologist John Alan Lee that describes six love [1] styles, using several Latin and Greek words for love. First introduced in his book Colours of Love: An Exploration of the Ways of Loving (1973), Lee defines three primary, three secondary, and nine tertiary love styles ...
These symbols may manifest as "fantasy-images" in the process of psychoanalysis, giving subjective expression to the contents of the libido, which otherwise lacks any definite form. [19] Desire, conceived generally as a psychic longing, movement, displacement and structuring, manifests itself in definable forms which are apprehended through ...
The Symbolic (or Symbolic Order of the Borromean knot) [1] is the order in the unconscious that gives rise to subjectivity and bridges intersubjectivity between two subjects [citation needed]; an example is Jacques Lacan's idea of desire as the desire of the Other, maintained by the Symbolic's subjectification of the Other into speech. [2]
"In the 15th century, you begin to get to him, identified with love, with the life of a woman, for a man or man for a woman," Kemp said. The first non-medical illustration accompanied the French ...
The practice of symbolic modeling is built upon a foundation of two complementary theories: the metaphors by which we live, [2] and the models by which we create. It regards the individual as a self-organizing system that encodes much of the meaning of feelings, thoughts, beliefs, experiences etc. in the embodied mind as metaphors. [3]