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František "Frank" Daniel (April 14, 1926 – February 29, 1996) was a Czech-American screenwriter, film director and teacher. He is known for developing the sequence paradigm of screenwriting, in which a classically constructed movie can be broken down into three acts, and a total of eight specific sequences. [1]
Sequence shots give the editor plenty of shots to tell a story and keep audiences' attention. [2] Sequencing refers to what one shoots, with the five most common shots used being: close-ups, wide angle, medium, over the shoulder, and point of view shots. Sequencing keeps viewer interest while maintaining a consistent story.
In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists are, in essence, the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. [1]
Second unit is a discrete team of filmmakers tasked with filming shots or sequences of a production, separate from the main or "first" unit. [1] The second unit will often shoot simultaneously with the other unit or units, allowing the filming stage of production to be completed faster.
The strips can then be rearranged and laid out sequentially to represent the order one wants to film in, providing a schedule that can be used to plan the production. [1] This is done because most films are shot "out of sequence," meaning that they do not necessarily begin with the first scene and end with the last. [2]
Movement can be used extensively by film makers to make meaning. It is how a scene is put together to produce an image. A famous example of this, which uses "dance" extensively to communicate meaning and emotion, is the film, West Side Story. Provided in this alphabetised list of film techniques used in motion picture filmmaking. There are a ...
Also one-shot cinema, one-take film, single-take film, continuous-shot film, or oner. A feature-length motion picture filmed in one long, uninterrupted take by a single camera, or edited in such a way as to give the impression that it was. opening credits (for a film) opening shot (for a scene) over cranking over the shoulder shot (OTS)
Veteran feature film editor John Rosenberg has argued, however, that moving away from the "Hollywood style" and studio system has led to lower-quality cinematography. In his opinion, coverage is too limited, takes end without clearing a frame, composition is poorly thought through, lighting is poor, and shots setting up the scene are sparse.
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