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Translated by Lopez, Raúl. Buenos Aires: Edições la Aurora. 269 pages. —. ... La Teologia como Juego. ... Escola com que sempre sonhei sem imaginar que pudesse ...
Prometáis rendirle vuestro más sincero y respetuoso homenaje, quererla con amor inmenso y formarle, desde la aurora de la vida un culto fervoroso e imborrable en vuestros corazones; preparándonos desde la escuela para practicar a su tiempo, con toda pureza y honestidad, las nobles virtudes inherentes a la ciudadanía, estudiar con empeño la ...
Español: En esta obra la Aurora aparece encarnada en una joven victoria alada, con el cabello recogido en un moño y coronada de flores que, como símbolo del día que amanece, se retira con una mano el manto de la noche que le cubría la cabeza, sobre la que resplandece el lucero del alba, mientras sujeta en la otra mano la antorcha que ilumina el día.
The Aurora consurgens is an alchemical treatise of the 15th century famous for the rich illuminations that accompany it in some manuscripts. [ 1 ] [ 2 ] : §38–44 While in the last century, the text has been more commonly referred to as "Pseudo-Aquinas", there are as well arguments in favour of Thomas Aquinas , [ 2 ] : §591f., §616 to whom ...
Aurora (Artemisia Gentileschi) (c.1625-1627) Aurōra by Guercino (1591–1666) The Countess de Brac as Aurōra by Jean-Marc Nattier (1685–1766) Aurōra e Titone by Francesco de Mura (1696–1782) Aurōra and Cephalus, by Anne-Louis Girodet de Roussy-Trioson (1767–1824) The Gates of Dawn by Herbert James Draper (1863–1920)
In 1930, just a few months before the movement that ended the government of President Horacio Vásquez and the acquisition of power by General Rafael Trujillo, the company La Aurora was transformed into E. León Jimenes, C. por A., which was created with the purpose of acquiring La Aurora cigar factory, along with the exclusive rights to use ...
Aurora was the first Argentine opera to be commissioned for the inaugural season of the Teatro Colón in Buenos Aires, where it premiered on 5 September 1908. The main tenor aria, "Alta en el cielo" ("High in the sky"), from the intermedio épico at the finale of Act 2 was used as a national hymn to the Argentine flag.
In Roman mythology, the goddess Aurora rises every morning to signal the arrival of the Sun by coloring the sky, which was used in the period as a metaphor for creativity and beauty. [1] Her contemporary Pierre Dumonstier created a drawing of Artemisia's hand holding a brush which refers to the "hands of Aurora", [ 2 ] praising both her beauty ...