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A "row" in the theory of Iranian music, is the arrangement of songs and melodies. Each of these songs, called a corner. Instrument. "Instrument" in traditional Iranian music, refers to a collection of several melodies (corners) that are in harmony with each other in steps, tunes, and intervals of notes. Song. "Song", here is: A special kind of ...
Iranian/Persian traditional music (also known as mūsīqī-e sonnatī-e īrānī or mūsīqī-e aṣīl-e īrānī) is now modernly classified into the Dastgāh system. This system is a modal system, in the fact that it utilizes distinct modes of music, in this case seven.
Iranian pop music is commonly performed by vocalists who are accompanied with elaborate ensembles, often using a combination of both indigenous Iranian and European instruments. [1] The pop music of Iran is largely promoted through mass media, but it experienced some decade of prohibition after the 1979 Revolution.
Bayat-e Esfahan (Persian: بیات اصفهان) is one of melodic pieces of Iranian traditional music, known as a branch of Dastgah-e Shur or Dastgah-e Homayun. Some musical theorists consider the Bayat-e Esfahan an independent dastgah within the Persian radif system.
Iran's western-influenced pop music emerged by the 1950s. [4] Prior to the 1950s, Iran's music industry was dominated by traditional singers. [4] Viguen, known as the "Sultan" of Iranian pop and jazz music, was a pioneer of this revolution. [4] [3] [5] [2] He was one of Iran's first musicians to perform with a guitar. [4]
Hermes Records has published different styles and genres of contemporary Persian music, as well as interactions between western and oriental musical textures and harmonies. [2] It has been described as having "almost singlehandedly built a much needed platform for artists and fans of genuinely experimental Iranian music". [3]
Viguen, Iran's "Sultan" of pop and jazz music. [1] [2] [3]Jazz music emerged in Iran along with the development of western influences into the pop music.One of the pioneers of jazz music in Iran was Alfred Lazaryan, a little-known singer and dancer whose first recorded song made a hit on the Iranian national radio. [4]
Experiments and influences from Iran's folk music have been incorporated into the musical appearance of tasnif, that is a type of vocal composition in Iranian classical music. [9] Composers of the late 19th and early 20th centuries used the folk music of their native countries as a source of inspiration for their compositions.
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