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Man Proposes, God Disposes. Edwin Landseer's 1864 painting Man Proposes, God Disposes is believed to be haunted, and a bad omen. [6] According to urban myth, a student of Royal Holloway college once committed suicide during exams by stabbing a pencil into their eye, writing "The polar bears made me do it" on their exam paper. [7]
The Scream (Norwegian: Skrik) is the popular name given to each of four versions of a composition, created as both paintings and pastels, by the Expressionist artist Edvard Munch.
The Nightmare is a 1781 oil painting by the Swiss artist Henry Fuseli.It shows a woman with her arms thrown below her, in deep sleep as she undergoes a nightmare as an almost hidden horse (the "night-mare") looks on as a demonic and ape-like incubus crouches on her chest. [1]
Spirit of the Dead Watching (Manao tupapau) is an 1892 oil on burlap canvas painting by Paul Gauguin, depicting a nude Tahitian girl lying on her stomach. An old woman is seated behind her. Gauguin said the title may refer to either the girl imagining the ghost, or the ghost imagining her. [1] [a]
These scary Halloween costumes take inspiration from your favorite horror movies and moments. They're perfectly spooky for a night of chills and thrills.
Head VI, 1949. 93.2 × 76.5 cm (36.7 × 30.1 in), Arts Council collection, Hayward Gallery, London. Head VI is an oil-on-canvas painting by Irish-born figurative artist Francis Bacon, the last of six panels making up his "1949 Head" series.
Watercolour and gypsum on canvas 1929 Fleeing Ghost: 89.5 x 63.5 Art Institute of Chicago: Oil on canvas 1929 The Balloon in the Window 32.5 x 24.2 Private collection Watercolour on paper 1930 Rhythmic: 69.6 x 50.5 Musée National d'Art Moderne, Paris Oil on burlap 1930 Floating: 84 x 84 Zentrum Paul Klee, Bern Oil on canvas 1930 The Castle ...
Its full title is The Ghost of Vermeer of Delft Which Can Be Used as a Table (Phenomenologic Theory of Furniture-Nutrition). [1] It makes reference to The Art of Painting by Johannes Vermeer , a famous seventeenth-century work in which a painter, thought to be a self-portrait of Vermeer, is depicted with his back to the viewer, in distinctive ...
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