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Melinoë (/ m ɪ ˈ l ɪ n oʊ iː /; Ancient Greek: Μηλινόη, romanized: Mēlinóē pronounced [mɛːlinóɛː]) is a chthonic goddess invoked in one of the Orphic Hymns (2nd or 3rd centuries AD?), and represented as a bringer of nightmares and madness.
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It was apparently included in this collection by mistake, as Stobaeus misinterpreted the word ρώμα in the first line as meaning "strength", rather than being the Greek name for the city of Rome. [2] Nothing is known of Melinno or her life. [3] Scholars have suggested dates ranging from the third century BC to the second century AD. [4] C. M.
The following is the chart of the International Phonetic Alphabet, a standardized system of phonetic symbols devised and maintained by the International Phonetic Association.
If there is one generally accepted pronunciation in the field, use that. However, there are often multiple pronunciations heard, along a cline from highly anglicized pronunciations, as found in Shakespeare, to attempts to remain faithful to the Latin or Greek pronunciation. For example, Io may be pronounced either / ˈ aɪ oʊ / or / ˈ iː oʊ ...
For example: тема ("theme") is normally pronounced . A hyperforeign pronunciation would be , as if the word were spelled тэма . Similarly, текст ("text") is pronounced , with the hyperforeign pronunciation being , as if it were spelled тэкст .
Phonemic notation commonly uses IPA symbols that are rather close to the default pronunciation of a phoneme, but for legibility often uses simple and 'familiar' letters rather than precise notation, for example /r/ and /o/ for the English [ɹʷ] and [əʊ̯] sounds, or /c, ɟ/ for [t͜ʃ, d͜ʒ] as mentioned above.
In Received Pronunciation and Australian English, the open-mid back rounded vowel occurs as the main allophone of the LOT vowel /ɒ/. The contrast between /ɔː/ and /ɒ/ is thus strongly maintained, with the former vowel being realized as close-mid [ oː ] and the latter as open-mid [ɔ] , similarly to the contrast between /o/ and /ɔ/ found ...