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Staffordshire figure of Spring, from a set of the Four Seasons, Neale & Co, c. 1780, 5 1/2 in. (14 cm) Ēostre, West Germanic spring goddess; she is the namesake of the festival of Easter in some languages. Brigid, celtic Goddess of Fire, the Home, poetry and the end of winter.
The Seasons or The Four Seasons is a set of four paintings produced in 1563, 1572 and 1573 by the Italian artist Giuseppe Arcimboldo. He offered the set to Maximilian II, Holy Roman Emperor in 1569, accompanying The Four Elements. Each shows a profile portrait made up of fruit, vegetables and plants relating to the relevant season.
Bamboo in the Four Seasons is seen as an early-stage work by the Tosa School. [2] Japanese influences on Bamboo in the Four Seasons, depicts the transitory state of bamboo growth, from shoots to mature plant in the same space, from spring to winter, seen from right to left, the gold leaf backdrop conveying the concept of space.
The Four Seasons are an ancient decorative motif. Usually each season is represented as an allegorical figure bearing traditional iconographic symbols. The Romans typically represented the seasons as voluptuous goddesses known as the Horae. This imagery carried over into neoclassical art and later became especially popular as garden sculpture.
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The Flowers of the Four Seasons (Chinese: 四季名花, Sìjì Mínghuā) are a traditional grouping of flowers found in Chinese culture [1] that spread to and influenced other East Asian [2] arts. In Chinese art [3] and culture, the flowers that represent the four seasons consist of: (春兰) Chūnlán – Spring – orchid
The Four Seasons (fr Les Quatre Saisons) was the last set of four oil paintings completed by the French painter Nicolas Poussin (1594–1665). The set was painted in Rome between 1660 and 1664 for the Duc de Richelieu , the grand-nephew of Cardinal Richelieu .
The course of the seasons was also symbolically described as the dance of the Horae, and they were accordingly given the attributes of spring flowers, fragrance and graceful freshness; for example, in Hesiod's Works and Days, the fair-haired Horai, together with the Charites and Peitho crown Pandora — she of "all gifts" — with garlands of ...
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