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Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. [1] These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. [2]
Harry Belafonte, a Jamaican-American pop-calypso singer in 1954. Caribbean music genres are very diverse. They are each synthesis of African, European, Arab, Asian and Indigenous influences, largely created by descendants of African slaves (see Afro-Caribbean music), along with contributions from other communities (such as Indo-Caribbean music).
The band's name was taken from a 1970s term, "cocolo", that originated in parts of the Caribbean and was later used in New York City's Latin communities, often as a pejorative, to describe non-Hispanic African descendants, many of whom were fans of Afro music. Kokolo aimed to invert the negative connotation of the term through the positivity in ...
The clave pattern is also found in the African diaspora music of Haitian Vodou drumming, Afro-Brazilian music, African-American music, Louisiana Voodoo drumming, and Afro-Uruguayan music . The clave pattern (or hambone, as it is known in the United States) is used in North American popular music as a rhythmic motif or simply a form of rhythmic ...
Axé was a fusion of African and Caribbean styles such as merengue, salsa and reggae, as well as being influenced by other Afro-Brazilian musical styles such as frevo and forró. Axé music was labeled in 1980s, but it was already noticeable in the 50s with the incorporation of the "guitarra baiana" (guitar from Bahia). [ 3 ]
Osibisa has been credited with introducing African music to European and North American audiences [10] with their fusion of African and Western music styles. [11] The band's style encompasses elements of rock, progressive rock, acid rock, Latin, jazz, afro-funk, jazz fusion, soul, highlife, reggae, calypso and pop.
The style of music was made more popular to the Caribbean region by the likes of the producer Dada and artists ASA from Dominica with collaborations from Trinidadian and St. Vincentian artists such as Skinny Fabulous, Bunji Garlin, Iwer George and Machel Montano. Hit songs featuring bouyon flavored rhythms and sounds and familiar soca ...
The band name derives from a calypso word for "dove", which symbolises peace and love; [2] "Dove" is also the title of one of their best-known songs. With a membership deriving from several Caribbean nations, Cymande were noted for an eclectic mix of funk, soul, reggae, rock, African music, calypso, and jazz that they called "nyah-rock".
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