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Headpiece from "Triodion", a religious manuscript from 1642. Headpiece (also spelled head-piece), is a decoration printed in the blank space at the beginning of a chapter or other division of a book, usually an ornamental panel, printer's ornament or a small illustration done by a professional illustrator.
While a chapter may be divided by section breaks, a group of chapters is conventionally called a "part", often identified with a Roman numeral, e.g. "Part II". [citation needed] Reference material may be divided into sections. The section headers of a Chinese dictionary are one example. [citation needed]
Τypographic ornament in ancient city of Kamiros in Rhodes island, Greece. Flower decorations are among the oldest typographic ornaments. A fleuron can also be used to fill the white space that results from the indentation of the first line of a paragraph, [4] on a line by itself to divide paragraphs in a highly stylized way, to divide lists, or for pure ornamentation. [5]
Book design is the art of incorporating the content, style, format, design, and sequence of the various components and elements of a book into a coherent unit. In the words of renowned typographer Jan Tschichold (1902–1974), book design, "though largely forgotten today, [relies upon] methods and rules upon which it is impossible to improve ...
A frontispiece in books is a decorative or informative illustration facing a book's title page, usually on the left-hand, or verso, page opposite the right-hand, or recto page of a book. [1] In some ancient editions or in modern luxury editions the frontispiece features thematic or allegorical elements, in others is the author's portrait that ...
The earliest known American example is the plain printed label of Stephen Daye, the Massachusetts printer of the Bay Psalm Book, 1642. [14] The history of the bookplate as a symbolical and decorative print used to mark ownership of books begins in Germany. Bookplates are often of art historical interest.
The scroll in art is an element of ornament and graphic design featuring spirals and rolling incomplete circle motifs, some of which resemble the edge-on view of a book or document in scroll form, though many types are plant-scrolls, which loosely represent plant forms such as vines, with leaves or flowers attached.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .