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Enclosed rhyme (or enclosing rhyme) is the rhyme scheme ABBA (that is, where the first and fourth lines, and the second and third lines rhyme). Enclosed-rhyme quatrains are used in introverted quatrains , as in the first two stanzas of Petrarchan sonnets .
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song.It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
The sonnet has an ABBA ABBA CDDC EE rhyme scheme ("eternalLY" is meant to rhyme with "DIE"). The last line alludes to 1 Corinthians 15:26 : "The last enemy that shall be destroyed is death". The poem's opening words are echoed in a contemporary poem, "Death be not proud, thy hand gave not this blow", sometimes attributed to Donne, but more ...
This sonnet follows the ABBA, ABBA, CDCDCD rhyme scheme. In the third quatrain this changes and the poem reveals who is behind the massacre: the "Triple Tyrant," a reference to the Pope with his triple crown.
"Archaic Torso of Apollo" is a sonnet with the rhyme scheme AbbA CddC EEf GfG. [1] It is an ekphrasis—a rhetorical genre from ancient Greece that describes inanimate objects—of an archaic Greek sculpture of Apollo, of which only the torso and crotch area survive. The poem argues that although the head is missing, the characteristics of the ...
Overall, the rhyme scheme is AABA BBCB CCDC DDDD. [4] The poem begins with a moment of quiet introspection, which is reflected in the soft sounds of w's and th's, as well as double ll's. In the second stanza, harder sounds — like k and qu — begin to break the whisper.
"London, 1802" is a Petrarchan sonnet with a rhyme scheme of ABBA ABBA CDD ECE. The poem is written in the second person and addresses the late poet John Milton, who lived from 1608–1674 and is most famous for having written Paradise Lost.
The poet's choice of the ABBA rhyme scheme (or enclosed rhyme scheme) emphasizes the simplicity of the poem. The pararhyme of 'Theirs', ‘gears’, ‘tears’ and ‘repairs’ combines the two quatrains together and puts 'Theirs' (take note of the capital letter) at the heart of the poem.