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The Tara Brooch is an Irish Celtic brooch, dated to the late-7th or early-8th century. It is of the pseudo-penannular type (with a fully closed head or hoop), [ n 1 ] and made from bronze , silver and gold.
The brooches were worn by both men and women, usually singly at the shoulder by men and on the breast by women, and with the pin pointing up; an Irish law code says that in the event of injury from a pin to another person, the wearer is not at fault if the pin did not project too far and the brooch was worn in these ways by the sexes. [1]
Connemara marble or "Irish green" is a rare variety of green marble from Connemara, Ireland. It is used as a decoration and building material. It is used as a decoration and building material. [ 1 ] [ 2 ] Its colour causes it to often be associated with the Irish identity, and for this reason it has been named the national gemstone of Ireland.
Pages in category "Celtic brooches" ... Tara Brooch This page was last edited on 1 July 2021, at 10:12 (UTC). Text is available under the Creative ...
Certain attributes of Celtic jewellery, such as inlaid millefiori glass and curvilinear styles have more in common with ancient brooches than contemporary Anglo-Saxon jewellery. [18] The jewellery of Celtic artisans is renowned for its inventiveness, complexity of design and craftsmanship. The Tara Brooch is a well-known example of a Celtic ...
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The Tara Brooch, c. 710–750. The museum holds a substantial number of ornate penannular Celtic brooches. Produced as clothes fasteners for the elites of Ireland and Scotland, they were usually worn singly at the shoulder by men and on the breast by women.
A Connemara Girl is an early 1870s painting by the Irish artist Augustus Nicholas Burke (July 28, 1838 – 1891). [1] One of the most identifiable paintings in Ireland, it depicts a young girl in traditional Connemara attire carrying a bundle near the shore. It is one of many paintings Burke created of daily life around his native Connemara.
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