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The same tempo, despite changes of time signature, see metric modulation lo stesso The same; applied to the manner of articulation, tempo, etc. loco [in] place, i.e. perform the notes at the pitch written, generally used to cancel an 8va or 8vb direction; in string music, also used to indicate return to normal playing position (see Playing the ...
This makes the song feel half as slow, even though the chords take the same length of time to play. A song that takes 60 seconds to play in regular feel still takes 60 seconds in half-time feel. However, if a song actually went into half time, say, for a repeat, a 60-second song would last for 120 seconds. See also double-time feel.
In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord substitution occurs when a chord is replaced by another that ...
A judge in Brazil has ordered Adele’s song Million Years Ago to be removed globally from streaming services due to a plagiarism claim by Brazilian composer, Toninho Geraes. Geraes alleges that ...
It is the same piece of music, as long as the intervals are the same—thus transposing the melody into the corresponding key. When the intervals surpass the perfect Octave (12 semitones), these intervals are called compound intervals , which include particularly the 9th, 11th, and 13th Intervals—widely used in jazz and blues Music.
According to Setlist.FM, he performed “FE!N” a total of 12 times in a row, including once with rapper Sheck Wes, who performed an unreleased verse that did not appear on the final version of ...
"F.I.N.E.*" is a song by rock band Aerosmith. It was written by lead singer Steven Tyler and lead guitarist Joe Perry. The song title is an acronym for "Fucked Up, Insecure, Neurotic, and Emotional", as stated in the album's liner notes. The song, totaling four minutes, nine seconds, is the second track on the band's 1989 album Pump.
In music, harmonization is the chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads". [2] A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. [3]