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Film historian Fraser A. Sherman places The Yesterday Machine into a category of science fiction movies typified by "Time travel by suspended animation, enhanced sleep or the Einsteinian effects of faster-than-light travel." He writes that while other categories exist, "Changing history is a relatively minor part of big- and small-screen time ...
The Machine premiered in New York City, New York, at the Tribeca Film Festival on 20 April 2013. [1] It was released on 21 March 2014, in the United Kingdom. [7] XLrator released it in the United States on 8 April 2014, on video on demand, and 25 April 2014, in a limited release. [8]
The Machine is a 2023 American action comedy film directed by Peter Atencio, inspired by the 2016 stand-up routine of the same name created by Bert Kreischer. The film stars Kreischer as a fictionalized version of himself, with Mark Hamill , Jimmy Tatro , Iva Babić, Stephanie Kurtzuba and Jessica Gabor.
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Yesterday is a 2019 jukebox musical romantic comedy film directed by Danny Boyle and written by Richard Curtis based on a story by Jack Barth and Curtis. Himesh Patel stars as struggling musician Jack Malik, who suddenly finds himself as the only person who remembers the Beatles and becomes famous for performing their songs.
The book was first published in the original German-language by an anti-Nazi Exilliteratur publishing firm based in Stockholm (1942), as Die Welt von Gestern. [6] It was first published in English in April 1943 by Viking Press. [4] In 2011, Plunkett Lake Press reissued it in eBook form. [7]
Jack Barth is an Anglo-American writer. He has written for film, television, books and magazines, and is also a television producer. He is best known for creating the story that was the basis for the 2019 film Yesterday and his claim that Richard Curtis falsely took credit for key elements of Barth's original screenplay, "Cover Version."
Between Yesterday and Tomorrow (German: Zwischen gestern und morgen) is a 1947 German drama film directed by Harald Braun and starring Hildegard Knef, Winnie Markus and Sybille Schmitz. [1] It was part of both the cycle of rubble films and subgenre of hotel films.