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Aesthetic Theory: Essential Texts is an anthology of the most important texts written on aesthetics and beauty since Plato till nowadays. It is edited by the theorist Mark Foster Gage who is tenured associate professor at the Yale University. The book is made up of twenty chapters each about an influential figure in the field of aesthetics.
These ideas were imported to the English-speaking world largely through the efforts of Thomas Carlyle, whose Life of Friedrich Schiller (1825), Critical and Miscellaneous Essays and Sartor Resartus (1833–1834) introduced and advocated aestheticism while also, if not marking the earliest use of the word "aesthetic" in the English language ...
Books on the topic of aesthetics, a branch of philosophy that deals with the nature of art, beauty and taste and with the creation or appreciation of beauty. Pages in category "Aesthetics books" The following 43 pages are in this category, out of 43 total.
- A Mathematician's Apology - A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful - Abhinavagupta - Aesthetic atrophy - Aesthetic emotions - Aesthetic interpretation - Aesthetic Realism - Aesthetic realism (metaphysics) - Aesthetic relativism - Aestheticism - Aestheticization of politics - Aesthetics - Aesthetics of music - Affect (philosophy) - Albert Hofstadter ...
Creative writing is any writing that goes outside the bounds of normal professional, journalistic, academic, or technical forms of literature, typically identified by an emphasis on narrative craft, character development, and the use of literary tropes or with various traditions of poetry and poetics.
The Concept of the Aesthetic; Aesthetics entry in the Routledge Encyclopedia of Philosophy; Philosophy of Aesthetics entry in the Philosophy Archive; Washington State Board for Community & Technical Colleges: Introduction to Aesthetics; Art Perception Complete pdf version of art historian David Cycleback's
In Aesthetic Theory, Adorno is concerned not only with such standard aesthetic preoccupations as the function of beauty and sublimity in art, [2] but with the relations between art and society. He feels that modern art's freedom from such restrictions as cult and imperial functions that had plagued previous eras of art has led to art's expanded ...