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Double Rainbow: The Music of Antonio Carlos Jobim is a 1995 album by jazz saxophonist Joe Henderson, released on Verve Records.It contains Henderson's arrangements of music by Brazilian composer Antonio Carlos Jobim.
The simplistic percussion on "Bonita" could be a metronome. Still, Hélio Delmiro's guitar, an unidentified cello and the incomparable Vaughan contralto applied to "Dindi," "Gentle Rain" and Jobim's "Double Rainbow" (English lyrics by Gene Lees) elevate this to 3½ stars. [2]
Joe Henderson – with Oscar Castro-Neves, Double Rainbow: The Music of Antonio Carlos Jobim (1995) [4] Jon Hendricks – ¡Salud! João Gilberto, Originator of the Bossa Nova (1961) – as "Love in Peace (O Amor em Paz)" Shirley Horn – Close Enough for Love (1989) [4] Toninho Horta – Once I Loved (1992) Milt Jackson – Soul Fusion (1977)
2000: The Tom Jobim Sessions (outtakes with various artists) 2000: Antonio Carlos Jobim's Finest Hour [Verve Music Group] 2002: The Outtakes (outtakes as a solo artist) 2005: The Best of Antonio Carlos Jobim: 20th Century Masters/The Millennium Collection; 2006: Sinfonia do Rio de Janeiro (with Billy Blanco) 2006: Sinatra-Jobim (outtakes with ...
Jobim wrote the song in late 1966 while staying at the Sunset Marquis Hotel in Los Angeles, as he waited for Frank Sinatra to return from a holiday in Barbados so they could begin recording their album Francis Albert Sinatra & Antônio Carlos Jobim (1967). [1] The first recording of the song was an instrumental version by Jobim for his 1967 ...
Pages in category "Songs with lyrics by Antônio Carlos Jobim" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. F.
If you’re stuck on today’s Wordle answer, we’re here to help—but beware of spoilers for Wordle 1331 ahead. Let's start with a few hints.
The change allowed Jobim to work with other lyricists, such as close friend Newton Mendonça, Dolores Duran and Aloísio de Oliveira, and to try his hand at penning his own lyrics. [ 3 ] Jazz critic Gary Giddins , writing in The New Yorker , referred to "Fotografia" as an "ingenious" composition full of "flirtatious romance," [ 4 ] while Mark ...