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Candy Dulfer (born 19 September 1969) is a Dutch jazz and pop saxophonist. She is the daughter of jazz saxophonist Hans Dulfer . She began playing at age six and founded her band Funky Stuff when she was fourteen.
The Ladies of Soul are a group of childhood-friends and sister-in-laws. have shared childhoods; Oosterhuis and Lewis were neighbours, Rombley, and Lewis became best friends and Oosterhuis and Dulfer were connected through relatives. They ended up pursuing careers in music and making guest appearances at each other's performances.
The group released a single "Waters of Life". In March 2007, the group went on a successful tour in Europe and Japan. The group toured overseas in 2008 and released a CD available in limited distribution or through her website. For several concerts she was joined by Candy Dulfer, who was billed as a special guest.
Saxuality is the debut album by Dutch alto saxophonist Candy Dulfer.Some versions of the album include the worldwide hit single "Lily Was Here" with Dave Stewart.The mainly instrumental album debuted on No. 4 in the Dutch album chart and was certified Gold. [2]
To date he has released 11 solo albums since 1990. Parker's 1992 live album, Life on Planet Groove, is considered to be his seminal live album, marking his first collaboration with Dutch saxophonist Candy Dulfer. In 1993, Parker made guest appearances on hip hop group De La Soul's album Buhloone Mindstate. [7]
"Lily Was Here" is an instrumental duet by English musician David A. Stewart and Dutch saxophonist Candy Dulfer. It was released as a single in 1989 from the soundtrack of the same name for the Dutch movie De Kassière, also known by the English title Lily Was Here. The song reached number one in the Netherlands and became a top-twenty hit in ...
Candy died in 1974 – broke and with bad teeth — of lymphoma, believed caused by the carcinogenic female hormones she pumped into her body. Her often tragic life is being resurrected for the ...
Big Girl is the third album by Dutch alto saxophonist Candy Dulfer. Before its release, she had been working mainly with Ulco Bed. But she was impressed by keyboard player Thomas Bank. This album marks the transition between the two producers and has a funkier style that tries to incorporate rap and hip hop into contemporary jazz.