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"The number of the notes that make up a scale as well as the quality of the intervals between successive notes of the scale help to give the music of a culture area its peculiar sound quality." [6] "The pitch distances or intervals among the notes of a scale tell us more about the sound of the music than does the mere number of tones." [7]
The notes of the pelog scale can be designated in different ways; In Central Java, one common way is the use of numbers (often called by their names in Javanese, especially in a shortened form. An older set uses names derived from parts of the body.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
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Notes may even distinguish the use of different extended techniques by using special symbols. The term note can refer to a specific musical event, for instance when saying the song "Happy Birthday to You", begins with two notes of identical pitch. Or more generally, the term can refer to a class of identically sounding events, for instance when ...
The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musical instruments in their rituals. The contemporary music of Indonesia today is also popular amongst neighbouring countries, such as Malaysia, Singapore and Brunei. [2]
A dot over a note indicates the octave above, and a dot below a note represents the octave below. Two dots over a note indicate a note two octaves higher than standard, and so on. Depending on the tuning of the individual gamelan, it is often possible to hear the pitches 1, 2, 3, 5, and 6 of slendro as an anhemitonic pentatonic scale, [ 3 ] do ...
Numerical sight singing is not the same as integer notation derived from musical set theory and used primarily for sight singing atonal music. Nor is it the same as "count singing", a technique popularized by Robert Shaw in which the numbers sung represent the rhythms of a piece in accordance with the beat of a measure.