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[26] Matt Diehl from Entertainment Weekly gave the song a B, writing, "Aside from some funky scatting and a dash of hip-hop rhythm, the soul slickster doesn't add much to Steve Miller's '70s classic-rock classic. Seal does get points for good taste in cover material, though: The song's ethereal synthesizer squiggles, wah-wah guitars, and ...
Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s.. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early ...
"Time Keeps On Slippin '" is the fourteenth episode in the third season of the American animated television series Futurama, and the 46th episode of the series overall. It originally aired on the Fox network in the United States on May 6, 2001.
on YouTube "Human Beings" is a song by British singer Seal. It was released ... New Zealand (Recorded Music NZ) [3] 29 UK Singles [4] 50
Slipping Away" was released as a single and became Edmunds' second and final Top 40 single in the US, following 1970's "I Hear You Knocking". [1] "Slipping Away" reached number 39 on the Billboard Hot 100, number 7 on the Mainstream Rock Chart, [5] and number 60 on the UK Singles Chart. [2]
Human Being is the third studio album by British singer Seal, released in 1998.The title track was written about late rappers Tupac Shakur and the Notorious B.I.G. [1] Human Being received mixed reviews ranging from being panned for its overtly dark and moody feel, [3] to being described in terms such as "pop perfection". [1]
The Nobody Wants This star recently revisited her 2013 animated hit, revealing that a lyric from the song "For the First Time in Forever" included an intentional double entendre.
According to the song's producer Trevor Horn, "Crazy" was made over the course of two months: " 'Crazy' wasn't an easy record to make, because we were aiming high." [6] The song's signature is a keyboard mantra that continually swells and swirls, driven by bass-heavy beats and wah-wah pedal guitars played by Simply Red guitarist Kenji Suzuki.