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The romance tradition of Arthur is particularly evident and in critically respected films like Robert Bresson's Lancelot du Lac (1974), Éric Rohmer's Perceval le Gallois (1978) and John Boorman's Excalibur (1981); it is also the main source of the material used in the Arthurian spoof Monty Python and the Holy Grail (1975). [141]
Of Arthour and of Merlin, also known as just Arthur and Merlin, is an anonymous Middle English verse romance giving an account of the reigns of Vortigern and Uther Pendragon and the early years of King Arthur's reign, in which the magician Merlin plays a large part. It can claim to be the earliest English Arthurian romance. It exists in two ...
Edern ap Nudd (Latin: Hiderus; [1] Old French: Yder [2] or Ydier) was a knight of the Round Table in Arthur's court in early Arthurian tradition. As the son of Nudd (the Nu, Nut or Nuc of Old French, Arthurian romance), he is the brother of Gwyn, Creiddylad, and Owain ap Nudd. In French romances, he is sometimes made the king of a separate realm.
Osenain (one of many spelling variants), often appearing with the moniker translating either (depending on the French spelling) as 'Braveheart', 'the Hardhearted', 'the Bold' or 'Hard Body', is a character often appearing as one (or more) of the knights of the Round Table in the works of Arthurian romance. In English, he is best known from ...
Lancelot du Lac (French for Lancelot of the Lake), alternatively written as Launcelot and other variants, [a] is a popular character in Arthurian legend's chivalric romance tradition. He is typically depicted as King Arthur 's close companion and one of the greatest Knights of the Round Table , as well as a secret lover of Arthur's wife ...
Moriaen (also spelled Moriaan, Morion, Morien) is a 14th-century Arthurian romance in Middle Dutch. A 4,720-line version is preserved in the vast Lancelot Compilation, and a short fragment exists at the Royal Library at Brussels. [1] [2] The work tells the story of Morien, the Moorish son of Aglovale, one of King Arthur's Knights of the Round ...
Likewise the setting isn't as recognisable as Arthurian Britain or Charlemagne's France. [1] [2] The romances of the Matter of England start afresh at the beginning of each romance with a new hero introduced and are set in an era from that of "vaguely Anglo-Saxon" [2] to anywhere up to the era when the work was produced.
Sir Eglamour kills a dragon as his third trial for the hand of Christabel, the earl's daughter. Dragons feature in many medieval stories, both in the Arthurian world and in medieval romance generally. The Middle English Breton lai Sir Degaré, for example, tells a broadly similar story to that of Sir Eglamour of Artois. A baby boy is separated ...