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Russian icons represent a form of religious art that developed in Eastern Orthodox Christianity after Kievan Rus' adopted the faith from the Eastern Roman (Byzantine) Empire in AD 988. [1] Initially following Byzantine artistic standards, these icons were integral to religious practices and cultural traditions in Russia.
The principal achievement of Byzantine theology was the ecclesiastic writings of the holy fathers. The high cultural level of Greek teachers posed difficult tasks for Kievan Rus’. Nevertheless, art of the Rus’ principalities of the tenth century differed from Byzantine prototypes of the same period. The peculiarities of the first Rus' works ...
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
Our Lady of Vladimir, egg tempera on wood panel, 104 by 69 centimetres (41 in × 27 in), painted about 1131 in Constantinople The Virgin of Vladimir, also known as Vladimir Mother of God, Our Lady of Vladimir [1] (Russian: Владимирская икона Божией Матери [a]), is a 12th-century Byzantine icon depicting the Virgin and Child and an early example of the Eleusa ...
"Scarlet Sails" celebration in Saint Petersburg Russian culture (Russian: Культура России, romanized: Kul'tura Rossii, IPA: [kʊlʲˈturə rɐˈsʲiɪ]) has been formed by the nation's history, its geographical location and its vast expanse, religious and social traditions, and both Eastern [1] (Its influence on the formation of Russian culture is negligible, mainly it was formed ...
Composition of Tbilisi cathedral became de facto industry standard well before it was completed. Note the small, fully detached belltower in the back yard. Prince Grigory Gagarin, who had served in Constantinople and the Caucasus as a diplomat, became the most influential supporter of the Byzantine style – through his published studies of vernacular Caucasian and Greek heritage as well as ...
Greek fire, first used by the Byzantine navy during the Byzantine–Arab Wars (miniature from the Madrid Skylitzes manuscript, Biblioteca Nacional de España, Madrid edit Mosaic of Empress Theodora from the Church of San Vitale , Ravenna
The emblem mostly associated with the Byzantine Empire is the double-headed eagle. It is not of Byzantine invention, but a traditional Anatolian motif dating to Hittite times, and the Byzantines themselves only used it in the last centuries of the Empire. [11] [12] The date of its adoption by the Byzantines has been hotly debated by scholars. [9]