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Duncan Phyfe (1768 – 16 August 1854) [1] was one of nineteenth-century America's leading cabinetmakers.. Rather than create a new furniture style, he interpreted fashionable European trends in a manner so distinguished and particular that he became a major spokesman for Neoclassicism in the United States, influencing a generation of American cabinetmakers.
The famous Big Chair, an 18-foot reproduction of a Duncan Phyfe design (first erected in 1922 and rebuilt in 1951) still stands in the town square as a symbol of the mutual success of a now famous chair company - and the town that cherishes its nickname, "Chair City".
The latter, lifted directly from the design vocabulary of French Restoration furniture of the 1820s, were ubiquitous in Phyfe's Grecian plain-style furniture. [19] Every room of the mansion was filled with D. Phyfe & Son furniture, as is documented by an 1841 letter and bill of lading from the firm. In most rooms the furniture was in a Grecian ...
As an early-19th-century design movement in the United States, it encompassed architecture, furniture and other decorative arts, as well as the visual arts. In American furniture, the Empire style was most notably exemplified by the work of New York cabinetmakers Duncan Phyfe and Paris-trained Charles-Honoré Lannuier.
Federal furniture refers to American furniture produced in the federal style period, which lasted from approximately 1789 to 1823 and is itself named after the Federalist Era in American politics (ca. 1788-1800). [1] Notable furniture makers who worked in the federal style included John and Thomas Seymour, Duncan Phyfe and Charles-Honoré Lannuier.
Conger also added several major pieces by Scottish-born New York cabinetmaker Duncan Phyfe. They include a pair of work tables, side chairs with scroll arms, two card tables, and a pair of window benches. These replaced the more delicate Federal-era furniture approved by du Pont and Mrs. Kennedy. On the west wall above a Duncan Phyfe sofa ...
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