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The shutter speed dial of a Nikkormat EL Slow shutter speed combined with panning the camera can achieve a motion blur for moving objects. In photography, shutter speed or exposure time is the length of time that the film or digital sensor inside the camera is exposed to light (that is, when the camera's shutter is open) when taking a ...
To calculate how reductions in power levels affect guide numbers, see Effect of power settings, below. Shutter speeds do not factor into guide number calculations with electronic flash and, for the most part, have no effect on exposures. See Effect of shutter speeds, below. Guide numbers are not affected by scene reflectance.
A tight shutter angle will constrict motion blur. A wide shutter angle will allow it. A 180° shutter angle is considered normal. So for instance, at 24 fps the frame interval value is 0.04167 second ( = 1 ⁄ 24). Using an exposure time of 1 ⁄ 50 second gives a shutter angle value of 173°, very close to 180° (normal motion blur effect).
An example of the use of f-numbers in photography is the sunny 16 rule: an approximately correct exposure will be obtained on a sunny day by using an aperture of f /16 and the shutter speed closest to the reciprocal of the ISO speed of the film; for example, using ISO 200 film, an aperture of f /16 and a shutter speed of 1 ⁄ 200 second. The f ...
The set EV could be locked, coupling shutter and aperture settings, such that adjusting either the shutter speed or aperture made a corresponding adjustment in the other to maintain a constant exposure (Ray 2000, 318). On some lenses the locking was optional, so that the photographer could choose the preferred method of working depending on the ...
An approximately correct exposure will be obtained on a sunny day using ISO 100 film, an aperture of f /16 and a shutter speed of 1/100 of a second. This is called the sunny 16 rule: at an aperture of f /16 on a sunny day, a suitable shutter speed will be one over the film speed (or closest equivalent).
Sports photographers, for example, need to be able to “set it and forget it, when it come to the exposure, using a fast shutter speed so they can focus (pun fully intended) on capturing the action.
In 1916, Northey showed how to calculate the angle of view using ordinary carpenter's tools. [2] The angle that he labels as the angle of view is the half-angle or "the angle that a straight line would take from the extreme outside of the field of view to the center of the lens;" he notes that manufacturers of lenses use twice this angle.