Search results
Results from the WOW.Com Content Network
Ebonite applications from the 19th century. Ebonite is a brand name for a material generically known as hard rubber or vulcanite, obtained via vulcanizing natural rubber for prolonged periods. Ebonite may contain from 25% to 80% sulfur and linseed oil. [1] [2] Its name comes from its intended use as an artificial substitute for ebony wood.
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G
Clarinet bodies have been made from a variety of materials including wood, plastic, hard rubber or Ebonite, metal, and ivory. [35] The vast majority of wooden clarinets are made from African blackwood (grenadilla), or, more uncommonly, Honduran rosewood or cocobolo. [36] [37] Historically other woods, particularly boxwood and ebony, were used. [36]
The manufacturer S & S has developed several improvements of the mechanics and the soundhole drilling for their clarinets. [8] All instruments are made of wood, mainly of grenadilla wood, but also cocobolo, mopane and boxwood are available, the latter, especially for the historical replicas. The instruments are built to order and primarily for ...
In addition to Leblanc clarinets, the G. Leblanc Corporation started importing brasswinds and saxophones made by the French firms Courtois and Beaugnier, respectively, branded "Leblanc." Leblanc's most distinctive saxophones at the time were its Model 100 and 120 "System" saxophones, the latest iteration of instruments designed by G. Leblanc ...
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more