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Hilly landscape with peasant family at a Cottage Door, Children playing and Woodcutter returning The Woodcutters Return. Thomas Gainsborough was the first British artist to employ cottages as a major subject, [1] [2] in what has become known as his "Cottage Door" paintings, painted during the final decades of his life; and was in the vanguard of a late 18th century fad of interest in them.
Thomas Gainsborough RA FRSA (/ ˈ ɡ eɪ n z b ər ə /; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds , [ 1 ] he is considered one of the most important British artists of the second half of the 18th century. [ 2 ]
Paintings by Thomas Gainsborough (2 C, 1 P) Pages in category "Thomas Gainsborough" The following 7 pages are in this category, out of 7 total.
Mary Fischer (née Gainsborough; 31 January 1750 – 2 July 1826) was the eldest and first-born daughter of English painter Thomas Gainsborough and his wife, Margaret Burr. She suffered from a Mental disorder , and was prone to fits of mental aberrations.
Cornard Wood, near Sudbury, Suffolk is a 1748 landscape painting by Thomas Gainsborough, now in the National Gallery, London, which bought it in 1875.The title has been used since 1828 and derives from a 1790 print of a Gainsborough work, though it is unproven whether the church tower in the background can be identified with that at Great Cornard, Suffolk.
Gainsborough painted the work in the summer of 1785, when the subjects, William Hallett (1764–1842) and Elizabeth Stephen (1763/4-1833) were both aged 21, shortly before their wedding at the church of St Lawrence in Little Stanmore on 30 July 1785. Gainsborough was commissioned by Hallett, and paid 120 guineas (£126).
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