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In film and video production, split screen is the visible division of the screen, traditionally in half, but also in several simultaneous images, rupturing the illusion that the screen's frame is a seamless view of reality, similar to that of the human eye. There may or may not be an explicit borderline. Until the arrival of digital technology ...
The term "split screen" was coined to describe the many uses of the technique in films of the 1960s. More recent uses of split screen include Mike Figgis' 2000 film Timecode and the Fox TV series 24. The most common function of split screen is to show simultaneous actions in different places.
Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and often in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. Cross-cutting can also be used for ...
Lois Weber. Florence Lois Weber (June 13, 1879 – November 13, 1939) was an American silent film director, screenwriter, producer and actress. She is identified in some historical references as among "the most important and prolific film directors in the era of silent films". [ 1 ][ 2 ] Film historian Anthony Slide has also asserted, "Along ...
move to sidebar hide. From Wikipedia, the free encyclopedia
Twilight's Last Gleaming is a 1977 American thriller film directed by Robert Aldrich and starring Burt Lancaster and Richard Widmark. The film was a West German/American co-production, shot mainly at the Bavaria Studios. Loosely based on a 1971 novel, Viper Three by Walter Wager, it tells the story of Lawrence Dell, a renegade United States Air ...
But I love a down-and-dirty 1972 film by a young Brian De Palma called “Sisters.” It has some of the best split-screen in the history of cinema. There’s a performance by Margot Kidder…
Because of this, film editing has been given the name “the invisible art.”. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes.
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