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The first single off the album, The Path To End Love, was released in August 2009 and the song spent an amazing 41 weeks on the Khmer Music Chart, including 23 weeks at the No.1 spot. At RHM's annual Top Music Show 2010, she performed a selection of brand new songs from her upcoming untitled album and in January 2011, she released her brand new ...
Chhorn Sovannareach (Khmer: ឆន សុវណ្ណារាជ; born 10 October 1985), simply known as Reach, is a Cambodian singer-songwriter.He began his singing career in the mid-2000s under three different record labels and is also an actor, brand ambassador and prominent celebrity in Cambodia [1] [2] with over 595,000 Instagram followers.
The music of "Oh, Phnom Penh!" was composed by Catholic Khmer composer Mum Bunnaray, who was working at the national radio station in Phnom Penh. The latter asked his sister Mum Sokha to sing in the single. The song was recorded on January 3, 1979, in Kratie province and first broadcast on January 7, 1979. [3]
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For the Khmer musicians who managed to escape the ruthless persecution of the Khmers Rouges who forbade any foreign influence and almost every form of music apart from propaganda, the refugee camps in Thailand were a safe haven where listening to "Champa Battambang" or the Khmer version of The House of the Rising Sun and others pieces of Cambodian rock music was a certain consolation in their ...
"Nokor Reach" originated from a folk poetry usually performed with chapei in ancient era for storytelling and to disclose any recent events. [2] [3]The music of "Nokor Reach" was composed between 1938 and 1939 by Prince Norodom Suramarit during the reign of King Sisowath Monivong with help of J. Jekyll and François Perruchot, [1] [4] the Royal Palace's musical instructors.
Meng Keo Pichenda is a Cambodian singer and has been contracted to many companies for her services. She is the youngest of three sisters, two of them are vocal musicians.. She is well known for her unique and balanced sound-pitched voice and was particularly successful in the late 1990s, credited for a change in direction in Cambodian music. [1]
In Khmer the two words smot and tomnounh (ទំនួញ, i.e. to lament) are often associated. One of the most popular forms of smot sang during the Khmer festival of Pchum Ben is the Tom Nounh Pret (ទំនួញប្រេត, the Lament of the Ghost) which plays heavily upon the Khmer popular belief in the evil influence of ghosts.