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In the fixed-tone pattern type of verse, poems were written according to preexisting models known as "tunes". This was the case with the ci and the qu: an individual poem was written so that its tone pattern (and line lengths) were the same as one of the model types, the poetic variation was in the change in the particular wording of the lyrics.
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term Tondichtung (tone poem) appears to have been first used by the composer Carl Loewe in 1828.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
The first published English grammar was a Pamphlet for Grammar of 1586, written by William Bullokar with the stated goal of demonstrating that English was just as rule-based as Latin. Bullokar's grammar was faithfully modeled on William Lily's Latin grammar, Rudimenta Grammatices (1534), used in English schools at that time, having been ...
Three Small Tone-poems, VI/7 (1890) Summer Evening; Winter Night (or, Sleigh Ride) Spring Morning; Paa Vidderne (On the Mountains), VI/10 (1890–92) Over the Hills and Far Away, VI/11 (1895–97); fantasy overture for orchestra; Paris: The Song of a Great City, VI/14 (1899-1900); nocturne for orchestra; Two Pieces for Small Orchestra, VI/19 ...
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
Each composition was inspired by the poetry of Norman Sickel. A chapter discussing the album, "The Colors of Ava: Tone Poems of Color and the Painful Measure of Sinatra's Passions," appears in A Storied Singer: Frank Sinatra as Literary Conceit (Greenwood Press, 2002) by Gilbert L. Gigliotti.
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.
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