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George Gershwin's Porgy and Bess (1935) – starring Will Marion Cook's wife Abbie Mitchell among many others – is the most famous black musical of the 1930s. It is called a black musical because of the African American cast, even though neither the music or plot is of the “Negro inspiration” like the creators proclaim. "Porgy and Bess ...
Shuffle Along is a musical composed by Eubie Blake, with lyrics by Noble Sissle and a book written by the comedy duo Flournoy Miller and Aubrey Lyles. [1] [2] [3] One of the most notable all-Black hit Broadway shows, it was a landmark in African-American musical theater, credited with inspiring the Harlem Renaissance of the 1920s and '30s.
The first major film musical with a black cast was King Vidor's Hallelujah of 1929. African-American performers were featured in the musical Show Boat (which had a part written for Paul Robeson and a chorus of Jubilee Singers), and especially all-black operas such as Porgy and Bess and Virgil Thomson's Four Saints in Three Acts of 1934. From ...
In Dahomey: A Negro Musical Comedy is a landmark 1903 American musical comedy described by theatre historian Gerald Bordman as "the first full-length musical written and played by blacks to be performed at a major Broadway house." [2] It features music by Will Marion Cook, book by Jesse A. Shipp, and lyrics by poet Paul Laurence Dunbar. [3]
First African-American interracial romantic kiss in a mainstream comics magazine: "The Men Who Called Him Monster", by writer Don McGregor (See also: 1975) and artist Luis Garcia, in Warren Publishing's black-and-white horror-comics magazine Creepy #43 (Jan. 1972) (See also: 1975) [44]
The earliest known, full-length opera composed by a Black American, “Morgiane,” will premiere this week in Washington, DC, Maryland and New York more than century after it was completed.
Cover art on the sheet music for the song "I'm a Jonah Man." (1903) The song was written both musically and lyrically by Alex Rogers and performed by Williams and Walker in their musical "In Dahomey." [1] George Walker and Bert Williams were two of the most renowned figures of the minstrel era. However the two did not start their careers together.
A Madea Christmas (musical play) Madea Gets a Job; Madea Goes to Jail (play) Madea's Big Happy Family; Madea's Class Reunion; Madea's Family Reunion (play) Marilyn and Ella; The Marriage Counselor; Meet the Browns (play) The Mighty Gents; The Mountaintop; A Movie Star Has To Star in Black and White