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The Book of Mormon is a musical comedy with music, lyrics, and book by Trey Parker, Robert Lopez, and Matt Stone.The story follows two missionaries of the Church of Jesus Christ of Latter-day Saints as they attempt to preach the faith to the inhabitants of a remote Ugandan village.
The Book of Mormon was named best musical theater album at the 2012 Grammy Awards. [1] Parker, Lopez, and Stone wrote the musical progressively over a period of six years, beginning in 2004. The recording for the album took place over three days, with the orchestra recording for one and the cast recording for another.
Stelios Phili of GQ called trap music "the sound of hip hop in 2012". [9] Since maintaining a strong presence on the mainstream music charts, trap music has been influential to non-hip hop artists. R&B singer Beyoncé's songs "Drunk in Love", "Flawless" and "7/11", all from her 2013 album Beyoncé, also contained trap influences.
B. B.M.F. (Blowin' Money Fast) Bad Guy (Billie Eilish song) Bad Idea (Ariana Grande song) Baddie (song) Ball Player (song) Bandz a Make Her Dance; Bang (Anitta song)
The second LDS hymnbook with music was John Tullidge's Latter Day Saints' Psalmody, published in 1857. This collection included music for LDS hymns such as "O My Father", "Praise to the Man" and "An Angel from on High", complete with piano accompaniment. Tullidge felt that many of the pairings of tune with hymns used in LDS meetings were poorly ...
On "Pawn Stars," owner Rick Harrison was offered one of the most expensive books that'd ever been in the shop: The Book of Mormon. The appraiser said, "Rick, this by far the most valuable book you ...
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
The Atlanta-based Head produced and composed music for the last four episodes of “P-Valley’s” first season, and credits a highly collaborative relationship with Hall for his creative process.