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"Dejection: An Ode" is a poem written by Samuel Taylor Coleridge in 1802 and was published the same year in The Morning Post, a London daily newspaper.The poem in its original form was written to Sara Hutchinson, a woman who was not his wife, and discusses his feelings of love for her.
20th-century literary critics often categorise eight of Coleridge's poems (The Eolian Harp, Reflections on having left a Place of Retirement, This Lime-Tree Bower my Prison, Frost at Midnight, Fears in Solitude, The Nightingale: A Conversation Poem, Dejection: An Ode, To William Wordsworth) as a group, usually as his "conversation poems".
Absence. A Farewell Ode on quitting School for Jesus College, Cambridge. A Farewell Ode on quiting school for Jesus College, Cambridge. "Where graced with many a classic spoil" 1791 1794, October 11 Happiness. "On wide or narrow scale shall Man" 1791 1834 A Wish. Written in Jesus Wood, Feb. 10, 1792. Written in Jesus Wood, February 10, 1792
The poem argued that a poet should not be excessive or irresponsible in behaviour and contains a sense of assurance that is not found within the original four stanzas. Instead, there is a search for such a feeling but the poem ends without certainty, which relates the ode to Coleridge's poem Dejection: An Ode. [36]
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The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
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The image of the Aeolian harp was a popular image in turn of the 19th-century literature and collections were built around poems dedicated to the harps. Coleridge's possible poetic influences include James Thomson 's Ode on Aeolus's Harp , The Castle of Indolence , and Spring .