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Although the majority of surviving English embroidery from the medieval period was intended for church use, this demand decreased radically with the Protestant Reformation. In contrast, the bulk of the surviving embroidery of the Tudor , Elizabethan , and Jacobean eras is for domestic use, whether for clothing or household decoration.
Opus Anglicanum or English work is fine needlework of Medieval England done for ecclesiastical or secular use on clothing, hangings or other textiles, often using gold and silver threads on rich velvet or linen grounds. Such English embroidery was in great demand across Europe, particularly from the late 12th to mid-14th centuries and was a ...
Anna Grace Ida Christie (1872–1953) was an English embroiderer, teacher and historian of embroidery who published a comprehensive work on opus anglicanum in 1938, documenting every known example. "She is regarded as one of the most influential people in the early twentieth century with respect to the development of embroidery and embroidery ...
The Steeple Aston Cope is a cope made between 1320 and 1340. It is notable for being one of the few surviving examples of English medieval embroidery (also known by the Latin name Opus Anglicanum), and is the earliest known depiction of a lute in England. [1]
This was the ideal base for the high quality English embroidery (called Opus Anglicanum, the Latin for "English work") which was much coveted by the most powerful people in Europe including kings and popes, and was used as a forceful visual statement of their wealth and status. [1] Many medieval church vestments were later cut up and re-used ...
A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
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