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"Chardee MacDennis: The Game of Games" is the seventh episode of the seventh season of the American television sitcom It's Always Sunny in Philadelphia. It is the 78th overall episode of the series, and was written by executive producer Charlie Day and series creator Rob McElhenney , and directed by executive producer Matt Shakman .
"Gaza's sky is black but Qatar is always sunny" is a single by the Israeli satirical TV show Eretz Nehederet. Released during the Israel–Hamas war, the video features three Israeli comedians, Yaniv Biton, Shahar Hasson, and Mariano Idelman, portraying Hamas leaders Ismail Haniyeh, Khaled Mashaal and Mousa Abu Marzouk respectively, who are estimated by the Israeli embassy to the United States ...
A Russian adaptation of It's Always Sunny in Philadelphia premiered in Russia on the television channel TNT on May 12, 2014. This version is titled В Москве всегда солнечно (V Moskve vsegda solnechno, It's Always Sunny in Moscow) and like the original, centers around four friends, who own a bar called "Philadelphia" in Moscow.
"Reynolds vs. Reynolds: The Cereal Defense" is the tenth and final episode of the eighth season of the American television sitcom It's Always Sunny in Philadelphia. It is the 94th overall episode of the series, and was written by Charlie Day , Glenn Howerton and series creator Rob McElhenney , and directed by Richie Keen.
"The Gang Tries Desperately to Win an Award" is the third episode of the ninth season of the American television sitcom It's Always Sunny in Philadelphia. It is the 97th overall episode of the series, and was written by executive producer David Hornsby, and directed by Richie Keen. It originally aired on FXX on September 18, 2013. [1]
"Chardee MacDennis 2: Electric Boogaloo" is the first episode of the eleventh season of the American television sitcom It's Always Sunny in Philadelphia. It is the 115th overall episode of the series, and was written by series creator Rob McElhenney and executive producer Charlie Day, and directed by Heath Cullens.
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It is also notably the first release by Sigur Rós under XL Recordings after the liquidation of EMI and the selling of its subsidiaries, including Sigur Rós' then-current label Parlophone. The song was used as a backing for an interpretive dance in the thirteenth season finale of It's Always Sunny in Philadelphia .