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Jacobean embroidery refers to embroidery styles that flourished in the reign of King James I of England in first quarter of the 17th century. The term is usually used today to describe a form of crewel embroidery used for furnishing characterized by fanciful plant and animal shapes worked in a variety of stitches with two-ply wool yarn on linen .
The origin of the word crewel is unknown but is thought to come from an ancient word describing the curl in the staple, the single hair of the wool. [5] The word crewel in the 1700s meant worsted, a wool yarn with twist, and thus crewel embroidery was not identified with particular styles of designs, but rather was embroidery with the use of this wool thread.
The kits included instructions, fabric with stencilled design, and stranded threads and was contained in an envelope with a colour illustration of the finished design. [7] Examples of kits are held by the Imperial War Museum and the Paisley Thread Mill Museum. [8] In 1963, the head of William Briggs & Co. Ltd, Frank Briggs, died.
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Fanciful leaf in crewelwork, detail of a curtain, England, c. 1696. V&A T.166-1961. Sets of bed hangings embroidered in crewel wools were another characteristic product of the Stuart era. These were worked on a new fabric, a natural twill weave from Bruges with a linen warp and cotton weft. Crewel wools of the 17th century were firmly twisted ...
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Surface embroidery techniques such as chain stitch and couching or laid-work are the most economical of expensive yarns; couching is generally used for goldwork. Canvas work techniques, in which large amounts of yarn are buried on the back of the work, use more materials but provide a sturdier and more substantial finished textile. [32]
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