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Camouflage is the use of any combination of materials, coloration, or illumination for concealment, either by making animals or objects hard to see, or by disguising them as something else. Examples include the leopard's spotted coat, the battledress of a modern soldier, and the leaf-mimic katydid's wings. A third approach, motion dazzle ...
Thayer attempts to classify the camouflage types, for example writing The principal feature of the pattern made by grasses over ground is a more or less intricate lace-work of crisscrossing, light-colored, linear forms, some straight, some curled and twisted, relieving with varying intensity against dark. —
Camouflage is weakened by motion, but active camouflage could still make moving targets more difficult to see. However, active camouflage works best in one direction at a time, requiring knowledge of the relative positions of the observer and the concealed object. [1] An invisibility cloak using active camouflage by Susumu Tachi. Left: The ...
Image credits: 18thpilotr When you feel like giving up and moving on, Dion suggests checking the comments. “If there is anything, many of the comments will describe its location (e.g., " girl ...
And like all other examples of camouflage, aircraft patterns vary widely between countries, aircraft, historical period, and the location that the aircraft was being deployed to.
Camouflage is the concealment of animals or objects of military interest by any combination of methods that helps them to remain unnoticed. This includes the use of high-contrast disruptive patterns as used on military uniforms, but anything that delays recognition can be used as camouflage. Camouflage involves deception, whether by looking ...
Methods include camouflage, nocturnality, subterranean lifestyle and mimicry. Crypsis can involve visual, olfactory (with pheromones) or auditory concealment. When it is visual, the term cryptic coloration, effectively a synonym for animal camouflage, is sometimes used, but many different methods of camouflage are employed in nature.
Therefore, Cott argues, camouflage has to break up the perceived continuous surfaces of an object and its outlines. In his own words, "for effective concealment, it is essential that the tell-tale appearance of form should be destroyed." [3] He draws an analogy with a pickpocket who carefully distracts your attention, arguing that: