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"Hearts of Stone" was covered and taken to the charts in 1954 by East Coast R&B vocal group the Charms, causing the story of the Jewels' involvement to be ignored by various writers and DJs who assume the Charms' cover was the original. The Charms' version of the song went to number one on the R&B Best Sellers and number fifteen on the pop charts.
Hearts of Stone is the third album by New Jersey rock band Southside Johnny and the Asbury Jukes, released in October 1978. The album peaked at number 112 on the Billboard 200 chart during the week of January 13, 1979. [4] All of the album's songs were written by Southside Johnny, Bruce Springsteen, and E Street Band guitarist Steven Van Zandt.
The Charms' first record in June 1953, "Heaven Only Knows", was not a hit, and after a couple more releases they moved to another King subsidiary label, De Luxe Records, also run by Stone. [1] They recorded several more times before, in 1954, " Hearts of Stone " gave them their first and biggest hit, reaching No. 1 on the R&B charts for nine ...
In 1955, Billboard magazine published three charts specifically covering the top-performing songs in the United States in rhythm and blues and related African-American-oriented music genres. The Best Sellers in Stores chart ranked records based on their "current national selling importance at the retail level", based on a survey of record ...
Little-known Motown act The Hearts of Stone recorded a version for their 1970 album Stop the World - We Wanna Get On. Alton Ellis cut two reggae versions in 1970, one for Treasure Isle and one for Studio One, both in Jamaica. Mina, on her 1972 live album Dalla Bussola. Shirley Bassey, on her 1976 album Love, Life and Feelings.
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"Two Hearts", [1] or "Two Hearts, Two Kisses (Make One Love)" is a popular song, written by Otis Williams and Henry Stone in 1954. [2] It was originally recorded by Otis Williams and the Charms , it first reached the Billboard R&B chart on March 23, 1955, and lasted 12 weeks on the chart, peaking at number 8.
In 1951, they had a minor hit with "The Tennessee Waltz", of which bigger selling recordings were made by Patti Page and Les Paul and Mary Ford. In 1954 they switched to Randy Wood's Dot Records , [ 12 ] where they abandoned the slow late 1940s-early 1950s style for faster material aimed at the growing teen/rock-and-roll audience, and they had ...