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A wide variety of costumes (called "mas") depicting traditional Trinidadian Carnival characters are seen throughout the Trinidad and Tobago Carnival. After emancipation in 1838, freed slaves combined African masking culture with French colonial influence [ 1 ] to create characters that parodied the upper-class customs and costumes of Carnival.
The Burrokeet (alternative spellings: Burroquite, borokit, borokite, bourriquite) [1] is a "donkey-man" character traditionally portrayed in Trinidad and Tobago Carnival.The name derives from the Spanish word burroquito (little donkey), the character's costume being constructed so as to give the illusion of a dancer riding a small burro or donkey.
The character is a paradoy of the Pierrot character, which was a character from the Carnival balls held by the French planter class in late 18th century Trinidad. [66] The Pierrot character was a well-dressed scholar who boasted about his knowledge. [66] The Pierrot Grenade's costume is made of scraps of cloth pieced together. [66] [65]
Her origins and identity can be traced back to colonial times in Trinidad and Tobago in the 18th and early 19th century, emerging from colonial French Masques. [2] Historically, Dame Lorraine masquerade featured a diverse array of performers, including not only liberated slaves and women but also cross-dressing men. [ 3 ]
Calinda is a kind of stick-fighting commonly seen practiced during Trinidad and Tobago Carnival. [1] It is the national martial art of Trinidad and Tobago. French planters with their slaves, free coloureds and mulattos from neighboring islands of Grenada, Guadeloupe, Martinique and Dominica migrated to Trinidad during the Cedula of Population ...
Nunley, John and Judith Bettleheim. Caribbean Festival Arts: Each and Every Bit of Difference. University of Washington Press, 1998.; Dudley, Shannon. Music from behind the bridge: steelband spirit and politics in Trinidad and Tobago.
Peter Minshall was born in Georgetown, Guyana on July 16, 1941. [1] He moved to Trinidad as a small child after his father took a job as a cartoonist. Growing up in Port of Spain, Minshall was exposed to Carnival from a young age.
The daytime of Carnival Monday and Tuesday are dominated by costumed masqueraders. Until World War II, most of these masqueraders portrayed traditional African influenced characters including the Midnight Robber, Police and Thief, Wild-American Indian, Bat', and Jab Mola individuals gave way to organized bands, which today can include thousands of masqueraders.