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At the end of your life, free from sorrow. The stone which bears this inscription formed the base of a stele, and a small fragment of the stele itself survives. The legible text on the stele, as reconstructed by Louis Robert, reads " Ε[ὐλόγει πάντας], Φιλόσοφ[ος γίνου] ", which corresponds to Stobaeus no. 47 and 48 ...
Lycurgus Consulting the Pythia (1835/1845), as imagined by Eugène Delacroix.. Pythia was the priestess presiding over the Oracle of Apollo at Delphi.There are more than 500 supposed oracular statements which have survived from various sources referring to the oracle at Delphi.
After the Apollo 1 fire, Baron wrote a 275-page report on NASA safety protocol violations, which he gave to Rep. Olin E. Teague's investigation at Cape Kennedy in Florida, on April 21, 1967. [5] The chairman of the NASA Oversight Committee claimed that Baron had made a valuable contribution to the Apollo fire probe, but that he had been ...
In some versions, Apollo himself killed Achilles by taking the disguise of Paris. Apollo helped many Trojan warriors—including Agenor, Polydamas, and Glaucus—in the battlefield. Though he greatly favored the Trojans, Apollo was bound to follow the orders of Zeus and served his father loyally during the war.
Although traditionally attributed to the Seven Sages of Greece, or to the god Apollo himself, the inscription likely had its origin in a popular proverb. Ion of Chios makes the earliest explicit allusion to the maxim in a fragment dating to the 5th century BC, though the philosopher Heraclitus , active towards the end of the previous century ...
In the Homeric Hymn to Apollo, now thought to have been composed in 522 BCE when the archaic period in Greek history was giving way to the Classical period, [5] a small detail is provided regarding Apollo's combat with the serpent, in some sections identified as the deadly drakaina, or her parent. The god searching for a place to establish his ...
Marsyas receiving Apollo's punishment, İstanbul Archaeology Museum. In Greek mythology, the satyr Marsyas (/ ˈ m ɑːr s i ə s /; Ancient Greek: Μαρσύας) is a central figure in two stories involving music: in one, he picked up the double oboe that had been abandoned by Athena and played it; [1] [2] in the other, he challenged Apollo to a contest of music and lost his hide and life.
The simple and crude folk saw their prince as an extraordinary man; Apollo took advantage of their credulity to rule them with even greater influence, and always with wisdom. Apollo’s past in Egypt is limited to the simple tale: we know from which Prodigies. The Greeks would considerably embellish it.