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Allusion differs from the similar term intertextuality in that it is an intentional effort on the author's part. [8] The success of an allusion depends in part on at least some of its audience "getting" it. Allusions may be made increasingly obscure, until at last they are understood by the author alone, who thereby retreats into a private ...
Music Inspired by The Chronicles of Narnia: The Lion, the Witch and the Wardrobe: The Chronicles of Narnia: C. S. Lewis [20] Seventh Son of a Seventh Son: Iron Maiden: Seventh Son: Orson Scott Card [21] Shakespeare's Macbeth – A Tragedy in Steel: Rebellion: Macbeth: William Shakespeare [22] Smallcreeps's Day: Mike Rutherford: Smallcreep's Day ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The smallest pitch difference between notes (in most Western music) (e.g. F–F ♯) (Note: some contemporary music, non-Western music, and blues and jazz uses microtonal divisions smaller than a semitone) semplice Simple sempre Always sentimento Feeling, emotion sentito lit. "felt", with expression senza Without senza misura Without measure ...
Dia Dipasupil/Getty Images Before The Tortured Poets Department was ever a glimmer in Taylor Swift’s eye, the singer peppered her music with references to classic literature. As early as 2006 ...
In music journalism, the term albatross is sometimes used metaphorically to describe the mixed blessing and curse of a song that becomes so popular it overshadows the rest of the artist's work. Rime of the Ancient Mariner is one of the tracks on the fifth Iron Maiden album Powerslave , 1984.
Contemporary popular music mentions include: Hair: The Tribal Love-Rock Musical (1967) by James Rado and Jerome Ragni, contains the song "What A Piece of Work Is Man", which is taken completely from Hamlet and set to music by Galt MacDermot. [130] "Cruel to Be Kind" is a 1979 single by Nick Lowe.
The music was also used for ballets of the same title, one by George Balanchine, who had made dances for Diaghilev, in 1951 and the other by Frederick Ashton in 1958. Ravel described La valse with the following preface to the score: Through whirling clouds, waltzing couples may be faintly distinguished.