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Hard and soft light are different types of lighting that are commonly used in photography and filmmaking. Soft light is light that tends to "wrap" around objects, projecting diffused shadows with soft edges, whereas hard light is more focused and produces harsher shadows. The hardness or softness of light depends mostly on three features of the ...
All the various soft light types create even and diffused light [1] by transmitting light through some scattering material, or by reflecting light off a second surface to diffuse the light. The best known form of reflective source is the umbrella light, where the light from the bulb is "bounced" off the inside of a metalized umbrella to create ...
In optics, a diffuser (also called a light diffuser or optical diffuser) is any material that diffuses or scatters light in some manner to transmit soft light.Diffused light can be easily obtained by reflecting light from a white surface, while more compact diffusers may use translucent material, including ground glass, teflon, opal glass, and greyed glass.
Photographic lighting refers to how a light source, artificial or natural, illuminates the scene or subject that is photographed; put simply, it is lighting in regards to photography. Photographers can manipulate the positioning and the quality of a light source to create visual effects , potentially changing aspects of the photograph such as ...
A traditional umbrella-style reflector, used to diffuse light from a photographic lamp to which it is normally attached. In photography and cinematography, a reflector is an improvised or specialised reflective surface used to redirect light towards a given subject or scene.
Diffuse lighting (or diffuse reflection) is the direct illumination of an object by an even amount of light interacting with a light-scattering surface. [4] [12] After light strikes an object, it is reflected as a function of the surface properties of the object as well as the angle of incoming light. [12]
However, Shea loves polished brass, marble, rich wood tones, and plush textiles under soft, diffused lighting to really make an interior feel harmonious and grounded. Plummett $8.50 at farrow-ball.com
Because the contrast is less during the golden hour, shadows are less dark, and highlights are less likely to be overexposed. In landscape photography, the warm color of the low sun is often considered desirable to enhance the colours of the scene. [6] It is the best time of day for natural photography when diffuse and warm light is desired. [7]
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