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Aeneas defeats Turnus, by Luca Giordano, 1634–1705. Though Virgil's sweeping descriptions cannot be seen, Aeneas is holding his shield in his left hand. The Shield of Aeneas is the shield that Aeneas receives from the god Vulcan in Book VIII of Virgil's Aeneid to aid in his war against the Rutuli. Imprinted on the front of the shield is a ...
Aeneas flees burning Troy, Federico Barocci, 1598 (Galleria Borghese, Rome, Italy). In Greco-Roman mythology, Aeneas (/ ɪ ˈ n iː ə s / ih-NEE-əs, [1] Latin: [äe̯ˈneːäːs̠]; from Ancient Greek: Αἰνείας, romanized: Aineíās) was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus). [2]
[citation needed] The shield of Aeneas is described in book eight, from lines 629–719. [21] The difference in the descriptions of the two shields are easily discernible; the shield of Achilles depicts many subjects, whereas the shield made for Aeneas depicts the future that Rome will have, containing propaganda in favor of the Emperor ...
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Aeneas Flees Burning Troy, by Federico Barocci (1598). Galleria Borghese, Rome, Italy Map of Aeneas' fictional journey. The Aeneid (/ ɪ ˈ n iː ɪ d / ih-NEE-id; Latin: Aenēĭs [ae̯ˈneːɪs] or [ˈae̯neɪs]) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans.
Pallas' body is carried on his shield back to Evander, who grieves at his loss. [7] However, Pallas' story does not stop there – at the end of Book XII, as Turnus is finally defeated and begs for his life, Aeneas almost spares him, but catches sight of Pallas' baldric, Turnus' fateful spoils. [ 8 ]
In Roman mythology, the Aeneads (Ancient Greek: Αἰνειάδαι) were the friends, family and companions of Aeneas, with whom they fled from Troy after the Trojan War. Aenides was another patronymic from Aeneas, which is applied by Gaius Valerius Flaccus to the inhabitants of Cyzicus , [ 1 ] whose town was believed to have been founded by ...
A minor one, for instance, concerns Turnus and Enéas: in Virgil, Aeneas kills Turnus, at the end of the epic, because he recognizes the swordbelt that Turnus took from Pallas. In the Roman , it is a ring that Enéas recognizes, a motif that Michelle Freeman sees repeated in Marie de France 's "Le Fresne" .