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Since the metaphor of a theatre is the leading theme of the book, the German and consequently also the Czech translation used a fitting summary as the name of the book We All Play-Act (German: Wir Alle Spielen Theater; Czech: Všichni hrajeme divadlo), apart from the names in other languages that usually translate the title literally.
A collection of self-schemas makes up one's overall self-concept. For example, the statement "I am lazy" is a self-assessment that contributes to self-concept. Statements such as "I am tired", however, would not be part of someone's self-concept, since being tired is a temporary state and therefore cannot become a part of a self-schema.
[5] Beryl Bainbridge, Richard Adams, Ronald Harwood, and John Bayley also spoke positively of the work, while philosopher Roger Scruton described it as a "brilliant summary of story-telling". [6] Others have dismissed the book on grounds that Booker is too rigid in fitting works of art to the plot types above.
[12] [8] For example, if a person's intrapersonal communication is characterized by self-criticism, this may make it hard for them to accept praise from other people. On a more basic level, it can affect how messages from other people are interpreted. For example, an overly self-critical person may interpret an honest compliment as a form of ...
The book discusses examples to illustrate the scout mindset, including: Jeff Bezos and Elon Musk, successful entrepreneurs who Galef says were not overconfident about their chances of success when starting out. [2] Steven Callahan, a sailor who survived weeks at sea on a life raft through careful decision-making and avoiding self-deception. [5]
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Please Understand Me II: Temperament, Character, Intelligence Please Understand Me: Character and Temperament Types (first published in 1978 as Please Understand Me: An Essay on Temperament Styles ) is a psychology book written by David Keirsey and Marilyn Bates which focuses on the classification and categorization of personality types.
The Polish science-fiction writer Stanisław Lem described the same problem in the mid-twentieth century. He put it in writing in his philosophical text Dialogs in 1957. . Similarly, in Lem's Star Diaries ("Fourteenth Voyage") of 1957, the hero visits a planet and finds himself recreated from a backup record, after his death from a meteorite strike, which on this planet is a very commonplace proc