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Hasta el Fin del Mundo (Until the end of the world) is an album by Mexican recording artist Pedro Fernández, released by Fonovisa Records on November 10, 2014. [1]Pedro Fernández titled this album "Hasta el Fin del Mundo" even though he is no longer on the telenovela of the same name Hasta el fin del mundo for which he wrote the titled theme song.
The Pietà (Italian: [maˈdɔnna della pjeˈta]; "[Our Lady of] Pity"; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made.
The Pietà or Sexta Angustia (1616 - 1619) is a work of Baroque sculpture by Gregorio Fernández, housed in the National Museum of Sculpture in Valladolid, Spain.The statue was commissioned by the Illustrious Penitential Brotherhood of Our Lady of Anguish.
He worked with Master Bartolomé, another painter in Spain, on the Retablo of Ciudad Rodrigo, a tour de force of religious art, depicting Christian history from the Creation to the Last Judgment. The majority of his work consists of small panels of religious scenes, often used to comprise altarpieces, or retablos.
Hasta el fin del mundo (previously known as Sangre de guerreras), [2] is a Mexican telenovela premiered on Canal de las Estrellas on July 28, 2014, and concluded on April 19, 2015. The series is produced for Televisa by Nicandro Díaz González and adapted by Kary Fajer , [ 3 ] based on the Argentine telenovela produced by Telefe , entitled ...
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The War of the End of the World (Spanish: La guerra del fin del mundo) is a 1981 novel written by Peruvian novelist Mario Vargas Llosa, who won the 2010 Nobel Prize in Literature. [1] It is a fictionalized account of the War of Canudos conflict in late 19th-century Brazil.
The Pietà of Villeneuve-lès-Avignon in the Louvre, c. 1455. Enguerrand Quarton (or Charonton) (c. 1410 – c. 1466) was a French painter and manuscript illuminator whose few surviving works are among the first masterpieces of a distinctively French style, very different from either Italian or Early Netherlandish painting.