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Pleasantville is a 1998 American teen fantasy comedy-drama film written, co-produced, and directed by Gary Ross (in his directorial debut). It stars Tobey Maguire, Jeff Daniels, Joan Allen, William H. Macy, J. T. Walsh, and Reese Witherspoon, with Don Knotts, Paul Walker, Marley Shelton, and Jane Kaczmarek in supporting roles.
The end of the exit ramp, at the intersection with Pleasantville Road, is marked with two signs that read "Do Not Enter" and two signs that read "One Way". [ 16 ] [ 17 ] Within the next minute, four more 9-1-1 calls were placed by motorists who reported that a car was traveling the wrong way down the parkway, going approximately 80 miles per ...
Julia O'Hara Stiles (born March 28, 1981) [1] is an American actress. Stiles began acting at the age of 11 as part of New York's La MaMa Experimental Theatre Club. [2] Her film debut was a small role at age 15 in I Love You, I Love You Not (1996), followed by a lead role in Wicked (1998) for which she received the Karlovy Vary Film Festival Award for Best Actress.
Jennifer Kesse had it all — family, friends, a great job and a loving boyfriend — until she disappeared without a trace in 2006. At the time she went missing, Kesse was 24 years old and a ...
Then Jennifer Love Hewitt called me and she's like, "I think Maddie should have a rule too." I'm like, "Well, tell me. What do you think that is?" She's like, "I just think that he can't treat me ...
Joan Allen (born August 20, 1956) is an American actress. Known for her work on stage and screen, she has received a Tony Award as well as nominations for three Academy Awards, a BAFTA Award, three Primetime Emmy Awards, and three Golden Globe Awards.
It's hard to believe one of Sex and the City's most shocking deaths is old enough to order itself a Cosmopolitan.. In a show full of unforgettable moments, season 6's episode 18, aptly titled ...
Mary Sue/Jennifer has more sex than anyone in Pleasantville but doesn't gain color until she abandons her established 'slut' persona for her newfound love of books and intellectualism. Bud/David doesn't colorize until he outgrows his shy/submissive persona and becomes willing to risk himself for what he cares about – saving Betty.