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By this time, Dead Can Dance were predominantly a duo of Lisa Gerrard and Brendan Perry, along with Peter Ulrich, after the departure of Scott Rodger and James Pinker in 1987. [citation needed] On the sound of the album, the group commented, "We realised we had been limiting our musical visions [before], relying around guitar, bass and drums.
The group's debut album, Dead Can Dance, was released in February 1984. [5] The artwork, which depicts a ritual mask from New Guinea, "provide[s] a visual reinterpretation of the meaning of the name Dead Can Dance", [6] [7] set in a faux Greek typeface.
The 97-year-old actor was praised by fans for his enthusiasm
Lisa Gerrard was born in Melbourne to Irish immigrant parents, and grew up in Prahran, an inner suburb with a substantial Greek population.She recalled growing up with "Mediterranean music blaring out of the houses" and said that this influenced her music, particularly on later Dead Can Dance albums and in her solo and collaborative works.
Spleen and Ideal is the second studio album by Australian band Dead Can Dance.It was released on 25 November 1985 by 4AD.The album spearheaded the group's sonic transition from their post-punk and gothic rock-influenced roots towards a neoclassical dark wave style.
In 1982, Dead Can Dance moved to London leaving Simon Monroe in Australia. Peter Ulrich played drums in the band's first demos, concerts and recordings. Paul Erikson soon left the band to fly back to Australia, leaving the band a duo. The band went on to record eight albums on the 4AD Records record label beginning with the self-titled Dead Can ...
Into the Labyrinth is the sixth studio album by Australian band Dead Can Dance, released on 13 September 1993, by 4AD.It marked a strong shift from their previous albums, putting ethnic music influences at the forefront, as would be the case in the later albums.
Spiritchaser is the seventh studio album by Dead Can Dance, and would prove to be the last before the duo reunited fourteen years later for Anastasis.It expands on its exploration of world music, and like Into the Labyrinth, was recorded at Quivvy Church, Brendan Perry's personal studio in Ireland.
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